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Poke it with a stick

poke it with a stick

These two albums represent different stages of the process of working with cross-adaptive techniques.
Joining The titanbet poker para android Bots: Synchronize Your Dogmas (feat Carl Haakon Waadeland, Tone Ase, Trond Engum Ayvind Brandtsegg) (04:17).Poke It With A Stick: Artist In Resonance (feat Jordan Sand Miller Puckette, Ayvind Brandtsegg) (02:29).This allows the actions of one performer to directly influence another roma scommesse sportive performers sound, and doing so by means of the acoustic signal produced on the instrument.We could say thats four times the attention needed!Joining The Bots: Joining The Bots (feat Carl Haakon Waadeland, Tone Ase, Trond Engum Ayvind Brandtsegg) (05:01).Poke It With A Stick: Voluntary Convolution (feat Steven Leffue Miller Puckette, Ayvind Brandtsegg) (05:09).There is increasing sureness of touch, breath, shape and exchange.Joining the Bots represents the assembly, knitting together, gathering of explored solutions, and composing of (still wildly) running streams.These tracks were all recorded in May 2018.
Poke It With A Stick: Vision Of Hope Surpassed (feat Sissel Vera Pettersen Tone Ase, Ayvind Brandtsegg) (05:23).
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This may be reciprocated, too: the sound of the second performer may in turn influence the sound processing of the first.One pianist even remarked: It felt like there was a 3rd musician present.Joining The Bots: Echo System (feat Carl Haakon Waadeland, Tone Ase, Trond Engum Ayvind Brandtsegg) (08:48) Direct downloads for TMF users.We can only slowly learn to respond meaningfully accidents become opportunities.For this, we rely on collaboration with a large group of excellent performers, many of whom are presented in the performances here.The sound world is extremely rich throughout.We are deeply grateful for the relentless energy and creative effort that the performers have contributed in trying to negotiate the pitfalls, swirls, vortices and uphill struggles of cross-adaptivity while at the same time integrating it with their existing deeply rooted practice.The performer has more to take in: anything they produce acts on the sound processing of another performer and vice versa.Poke It With A Stick: So Much For Subtlety (feat David Moss Ayvind Brandtsegg) (02:53).Poke It With A Stick: Now We Try It My Way (feat Steven Leffue, Kyle Motl Ayvind Brandtsegg) (05:56).The learning curve can be slow and difficult.Cross-adaptive processing adds potential for instability but this often forces us to explore and innovate.Poke It With a Stick represents the exploration, stumbling, finding, missing, and trickle of possible ways to tackle these challenges.